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克拉拉·舒曼曾是西方音乐史上占有重要地位的钢琴演奏家及作曲家。尤其是在演奏方面,她有着“钢琴女王”的美誉,与同时代的著名钢琴家、作曲家李斯特齐名。与李斯特年轻时的狂野不同,克拉拉的演奏以柔美、细腻、严谨著称。本文试图从克拉拉的父亲在她儿时对其在音乐方面进行的教育,日后她在音乐方面形成的美学观念,以及她本人在钢琴(音乐)教学方面的观点引发了笔者对当今钢琴教学的一些思考。
Clara Schumann was a pianist and composer who played an important role in the history of Western music. Especially in the performance, she has the reputation of “Queen of Piano”, famous with the contemporary famous pianist and composer Liszt. Unlike Liszt’s youthful wildness, Clara’s performance is flirtatious, delicate and precise. This article attempts to derive the author’s views on piano education from the perspective of her father’s musical education during her childhood, her future aesthetic ideas of music and her own teaching of piano (music) Some thinking.