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中国新世纪报告文学既延续了20世纪末期某些状况,也显示了明显的阶段特征。它有两个基本走向:一是遵循主旋律,这类创作多关注能够体现国家主体思想的社会重大事件,弘扬时代主旋律,但相较传统“颂歌报告”的简单化倾向,整体上具有明显提升;二是多样化,这类创作在题材选择上不拘一格,价值评判也较多元,延续了1980年代报告文学的问题意识与批判精神,也更多体现了创作主体的独立思考。审视以上两种基本走向,既要立足现实语境又应注意历史比较,只有这样,才能更客观地看待其意义与问题,创作出更优秀的报告文学作品。
The reportage of China’s new century lasted certain conditions of the late 20th century and also showed obvious stage features. It has two basic trends: one is to follow the main theme. Such kind of creation focuses more on major social events that reflect the main body of the state and carry forward the theme of the times. However, compared with the traditional tendency of simplifying the “carols report,” there is a clear overall trend The second is diversification. These kinds of creations are eclectic and have multiple values judgments in subject selection. They inherit the problem awareness and critical spirit of the reportage in the 1980s and also reflect the independent thinking of the creative subject. Looking at the above two basic trends, we should not only base ourselves on the context of reality, but also pay attention to historical comparison. Only in this way can we view the significance and problems more objectively and create better reportage works.