田亚洲钟情于风景写生,其画法既称不上古典,也说不上前卫,既非客观景象的描摹写实,也非抽象表现的意象追慕。这种难以用现代的画法体系和风格归属概括的个性化的自言自语,正是他目前油画风景写生创作的真实状态。亚洲为人笃厚、仗义、率真,他的画一如其性格,质朴而又充满热情,其作品传递出的诗意与激情,常常让我为之感动。在亚洲看来,风景写生既是色彩的艺术,也是激情释放的艺术。色彩表现没有既定的程式,一切皆因激情的迸发而挥洒,一切皆以充分表达个体对生命、对自然的真实感受而呈现。故他的 Tian Asia love landscape painting, the painting is neither called classical painting, also can not be avant-garde, neither realistic description of the objective scene, nor the image of abstract expression of admiration. This is difficult to use modern painting system and style belong to the summary of individual self-talk, it is his realist sketches of oil painting real state. It is often touched by the poetic and passionate passions of his works that people in Asia are benevolent, generous and forthright. His paintings are as simple as their character, simplicity and enthusiasm. In Asia, landscape painting is both a color art and an art of passion. Color performance There is no established program, everything is due to the passion burst out, everything is to fully express the individual life, the true feelings of nature presented. So he’s