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2013年赵薇执导的《致我们终将逝去的青春》(以下简称《致青春》)上映,被视为国产青春片的开端,随后怀旧类青春片不断涌现,有渐成类型的趋势。对这类影片进行分析笔者发现,国产怀旧类青春片性别意识的编码框架惊人的相似,普遍存在对女性的污名化——拜金女符号的泛滥,丑化女性进而为男性洗白,女性对自我的放逐与否定,而这样的编码策略并没有引导观众进行优先解读而是导致了对抗解读。
In 2013, the release of “The Youth We Will End” (hereinafter referred to as “Youth”) directed by Zhao Wei was regarded as the beginning of domestic youth films, and then the nostalgic youth films continued to emerge. Analysis of such films The author found that the gender-sensitive frame of nostalgic youth genre coding framework is strikingly similar to the widespread stigma of women - worship of the golden symbols of women flooding, vilify women and then male white, women on the ego Of the exile and negation, and such a coding strategy did not guide the audience to give priority reading but led to confrontation interpretation.