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排雄阵,砺枪刀,败瘟神,驱强暴。管叫他胆战魂消,玉帝折腰!——1956年京剧《大闹天宫》此事只宜智取,不可力敌。——1961年绍剧《孙悟空三打白骨精》“猴戏”又称悟空戏,是中国戏曲史上为数不多的由角色命名的剧种。猴戏拔群而出,不只因孙悟空的文学形象深入人心,更缘于其独特的舞台艺术程式。在中国现代思想史、文化史的视阈之内,重新考察孙悟空形象的嬗变,“猴戏”是不可跳过的。可以说,1950—1970年代的猴戏改造真正实现了孙悟空形象的现代转型,而其戏曲形
Pai Xiong array, grudge knife, defeat the god of the plague, drive rape. Tube called him gall to fight consumption, Jade Emperor waist! - 1956 Peking Opera “Havoc in Heaven” This should only be wise, unbeatable enemy. - - 1961 Shaoxu “Monkey King” “Monkey King”, also known as Wukong drama, is one of the few operas in the history of Chinese opera. The monkey play is not only popular because of the literary image of Monkey King, but also due to its unique stage art program. In the modern Chinese history of thought, the cultural history of the threshold within the review of the evolution of Monkey King image, “Monkey King ” is not to be skipped. It can be said that the 1950s-1970s monkey theater transformation truly realized the image of the modern transformation of the Monkey King, and its opera-shaped