《到十九号房间》和《觉醒》分别是20世纪60年代英国女作家多丽丝·莱莘和19世纪末美国女作家凯特·肖邦的女性文化作品。两部作品中的女主人翁在不同的情节和不同的人物刻画下却有着从觉醒,追求独立到幻灭的相似的心路历程和最终男权社会中现代家庭主妇相同的悲剧命运。本文通过对两部作品情节,人物刻画等的比较揭示了两女主人翁相同结局背后的巨大现实意义。 “Into Room 19” and “Awakening” are the feminine works of the British woman writer Doris Lehsin and the American woman writer Kate Chopin, respectively, of the 1960s. The heroines in the two works have similar traits from awakening, pursuing independence to disillusionment and the same tragic fate of the modern housewives in the patriarchal society under different plot and different portrayal of characters. This article reveals the great realistic significance behind the same ending of two female masters through the comparison of plot and figure of two works.