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2003年3月26日,广州众家媒体聚集在星海音乐厅,把关注的焦点对准了广州交响乐团音乐总监的聘任仪式。从5月开始,“广交”的新一任音乐总监将由中国爱乐乐团艺术总监余隆兼任。一如6年前叶咏诗担任“广交”的首席指挥到后来担任音乐总监,在“广交”进行了一系列行之有效的改革,令“广交”一步步成为广州著名高雅艺术品牌一样,余隆的接任也将会令“广交”有不少的变化,令“广交”再次成为世人瞩目的焦点。在“广交”改革五周年之际,本刊记者采访了广州交响乐团团长余其铿先生,知晓了五年来“广交”是怎样通过改革“脱贫致富”而逐渐“进入了中国主流乐团的行列”,1999年11月22日《中国文化报》)成为广州的文化标签的。
March 26, 2003, Guangzhou public media gathered in Xinghai Concert Hall, the focus of attention at the Guangzhou Symphony Orchestra music director appointment ceremony. From May onwards, the new director of “Guangcai” will be held concurrently by Yu Long, artistic director of China Philharmonic Orchestra. Just as Ye Yongshi acted as the chief conductor of “Guangcai” six years ago and later served as the music director, he carried out a series of effective reforms in “Guangcai” so that Guangcong can become a well-known and elegant art brand in Guangzhou step by step. The succession of Yu Long will also make a lot of changes in the “Canton Fair”, making the “Canton Fair” once again the focus of world attention. On the fifth anniversary of the “Canton Fair”, our correspondent interviewed Mr. Yu Qikeng, head of the Guangzhou Symphony Orchestra. He learned how “Guangcai” gradually entered the mainstream Chinese band through reforming “getting rid of poverty” Ranks “,” China Culture Daily "on November 22, 1999) became the cultural label of Guangzhou.