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审美无利害命题贯穿文艺学发展始终,也是文艺学范式转型的一个重要线索。以此为基点,反思文艺学的百年发展历程,我们会发现,文艺学经历了文学审美论、无产阶级文学革命论、文学意识形态论、文学审美意识形态论、文学综合论的范式转型,其主流趋势是审美社会价值主义。这对于准确把握文艺学发展历程、总结文艺学得失、构建文艺学的中国形态、促进文艺学学科的完善与文艺学研究的繁荣具有重要借鉴意义。
The aesthetic non-harmful proposition throughout the development of literature and art has always been, but also an important clue to the transformation of literature and art paradigm. Taking this as the starting point, to reflect on the course of centenary development of literature and art, we will find that literature and art experienced the paradigm shift of literary aesthetics, proletarian literature revolution, literary ideology, literary aesthetic ideology and literary synthesis. The mainstream trend is aesthetic social valueism. This is of great reference significance for accurately grasping the development of literature and art, summarizing the gains and losses of literature and art, constructing the Chinese form of literature and art, promoting the improvement of literature and art disciplines and the prosperity of the study of literature and art.