在我国工艺美术史上,商、周时代的青铜工艺,不只是中华民族的光辉灿烂的文化遗产,而且在世界文化史上也是一颗大放异彩的明珠。如此震撼中外的青铜工艺,我们常说:它既是奴隶们的伟大创造,又是奴隶主阶级意识形态的反映。这是不是矛盾呢?究竟应该如何理解呢?现在就这个问题,谈一点个人意见。如果把问题放大来看,这是对劳动人民创造世界如何理解的问题。所以还得从劳动人民创造世界这个基点说起。众所周知,自从人类用有目的劳动,把自己跟一般动物区别开来之后,历经原始社会、奴隶社会、封建社会和资本主义社会,劳动人民始终跟人类社会存在和发展的基础——生产、生产力结合在一起,是生产力中的重要因素。历史的实践无可辩驳地证明:人类社会的变更和发展,是社会内部矛盾即生产力和生产关系的矛盾变更、发展的结果,而其中生产力是这一变更发展的决定力量。正是基于这个 In the history of arts and crafts in our country, the bronze craft in the Shang and Zhou Dynasties is not only a splendid cultural heritage of the Chinese nation, but also a shining pearl in the history of world culture. So shocking Chinese and foreign bronze craft, we often say: It is not only the great creation of slaves, but also a reflection of the slave class ideology. Is this a contradiction? How should we understand it? Now, on this issue, talk about personal opinions. If we enlarge the issue, this is a question of how the working people can create a world. Therefore, we must start from the basic point at which working people create the world. It is well-known that after human beings have used purposeful labor to distinguish themselves from ordinary animals, after working through the primitive society, the slave society, the feudal society and the capitalist society, the working people have always been the basis for the existence and development of human society - the combination of production and productive forces Together, is an important factor in productivity. Historical practice proves irrefutably: The change and development of human society is the result of the contradictions and contradictions in the society, that is, the contradictions and developments in the relations between productive forces and relations of production. Among them, the productive forces are the decisive forces for the development of change. It is based on this