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从五言诗发展的视角审视颜延之的诗歌创作,以颜延之的诗歌理论为起点,通过分析颜延之五言诗体特点的总结,探讨其五言诗创作是如何摆脱乐府流易之体,独树一帜创立新体而成长为诗坛正统的。
Yan Yanzhi’s poetry theory is taken as a starting point from the perspective of the development of five-character poems. By analyzing Yan Yanzhi’s five-character poetic features, this paper explores how his creation of five-character poems escapes from the Yuefu stream, of.