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开县跳端公独特的人文习俗和兼容发展的文化背景孕育了神秘而凝重的巫文化。本文对重庆开县跳端公的手舞进行探讨,提出了曲的形态、流的路线、韵的内涵,舞蹈强调人体在空间中的流动本身,即舞蹈线条的运动感与美感,跳端公的手舞更是讲求意气贯通的形态,讲究手舞的造型韵味与饰神者的神韵高度统一,即神与形的统一。它的美学特征与宗教舞蹈的图腾崇拜的文化精神有着内在联系,影射世间的规律与秩序的调和,通过对祀神歌舞的舞蹈美学追踪,是民族精神意识的身体表现。
Kick-hop jumper public unique cultural practices and compatible with the development of the cultural background gave birth to the mysterious and dignified witch culture. In this paper, we discuss the hand dance of jumped-end male in Kaixian, Chongqing, and put forward the connotation of the song’s form, flow and rhyme. Dance emphasizes the human body’s flowing in space, that is, the sense of movement and beauty of the dance line, Hand dance is more emphasis on the form of emotions, pay attention to the charm of hand-dance style and God decorated God highly consistent, that is, the unity of God and shape. Its aesthetic characteristics are intrinsically linked with the cultural spirit of totem worship of religious dances, which reconciles the law and order of the world. It is the physical manifestation of the national spirit consciousness through the aesthetics and dance of sacrificial songs and dances.