戏曲音乐的复音化是一种进步。随着时代的前进,科技的进步,艺术的发展,视野的开拓,观念的更新,经过几代人的奋斗和努力,戏曲音乐创作已经完成了由民间的编曲为主,向专业作曲的过渡和转型。它的重要标志就是在传统“线性美”的基础上进行复音化的多声部创作。但它受着社会生产力、经济基础的制约和意识形态的导向,由简到繁、由器乐到声乐、由一般化到个性化是其发展的规律。革命现代戏盛行的年代在中国还没流行电声乐队和MIDI音乐,那时把管弦乐引进戏曲乐队,自然就成为推进戏曲音乐改革的有效措施和突破口。所以在某种意义上说:戏曲音乐的复音化又 Polyphony of opera music is an improvement. With the advancing of the times, the progress of science and technology, the development of art, the development of vision, the renewal of concept, after several generations of struggle and hard work, opera music creation has completed the transition from folk arranger to professional composition And transformation. Its important symbol is the polyphonic polyphonic creation based on the traditional “linear beauty”. However, it is subject to the constraints of social productive forces, economic fundamentals and ideological guidance. From simple to complex, from instrumental music to vocal music, from generalization to individualization is the law of its development. The era of the rise of modern revolutionary modern drama Not yet popular in China, electro-acoustic band and MIDI music, then the introduction of orchestral opera band, naturally become an effective reform of opera music reform and breakthroughs. So in a sense: the polyphony of opera music again