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1912年,当时号称世界之最的巨轮“泰坦尼克号”首航,结果成为人类灾难的代名词;1997年,同样号称世界之最的电影《泰坦尼克号》首映,结果成为银幕奇迹的象征,它无可争辩地是一艘飘扬着好莱坞旗帜的文化巨轮,正巡航于世界各国不同民族之间,我们可以把它看成是精神侵略,也同样可以把它看成是文化求偶。说《泰坦尼克号》是文化巨轮,而不是艺术巨轮,是因为在它那强大的电影工业实力背后,有着许多与人类艺术活动在根基上的本质冲突。这正是电影的一种特征——既是大众化的流行娱乐,又是对经典艺术的反叛和修正。不过,需要声明的是,上面这
In 1912, at the time the maiden voyage of the so-called Titanic, the world’s largest ship, became synonymous with human disasters. In 1997, the film titled “Titanic,” also known as the world’s largest movie, became the symbol of the miracle of the screen. It is indisputably a cultural wheel that flutters the banner of Hollywood. It is cruising between different ethnic groups in various countries in the world. We can think of it as a spiritual invasion and as a cultural courtship. To say that “Titanic” is a cultural wheel, not an art tycoon, has many substantive conflicts with the foundation of human artistic activities behind the mighty strength of the movie industry. This is precisely one of the features of the film - popular entertainment as well as rebellion and revision of classic art. However, what needs to be said is that above