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本文首先试图为马来西亚新锐华人导演陈翠梅做一速写,分析其看似独特实则有着民族地域共通性的电影模式。其次,从下列三方面来探讨陈翠梅这位以荒凉为审美图腾的女性导演的基本创作特征:第一,从力求简单的外在作品形态追溯其内在创作动因;第二,探讨其悲观、坚韧与真诚的个人禀赋是如何形成她影如其人、内外高度一致的影像与叙事特征;第三,分析她作品中明显的纪实主义偏好与女性主义取向。
This article first tries to make a sketching for the director of cutting-edge Chinese in China, Chen Cuimei, and analyzes the seemingly unique but in fact the film mode of common regional ethnicity. Secondly, we discuss the basic creative features of Chen Cuimei, a woman director who regards the desolation as the aesthetic totem from the following three aspects: first, trace its inherent creative motivation from the simple external works; secondly, discuss its pessimistic, tenacious and How sincere personal endowments formed her highly influential images and narrative features both inside and outside her; Third, she analyzed the obvious realist preference and feminist orientation in her works.