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1979年的人间四月天,在浙江衢州这个小县城画电影宣传画的周师傅临时当了一次放映员,那是文革结束后的第二年,周师傅和夫人虽是双薪家庭,也没能有足够的钱请保姆,只能把三岁的女娃独放家中。 结果电影演到一半,周师傅觉得有人在拉他裤管,他低头一瞧,只见闺女一双像星星的大眼睛仿佛从万丈深渊里仰望着他。想着自己那位于三楼的家和离电影院100多公尺的路,当父亲的眼泪就在那样微弱的星光里夺眶而出。 在多数进学校学习做人之前的日子里,周师傅的闺女可神气了,这个小女孩时常霸着电影院第一排的座位,像个大爷似的两手往旁边椅背上一放,然后也不管看懂看不懂,总是仰着小脸像看天
In April of 1979, on April April, Zhou Chou, who worked as a movie poster for the small town of Quzhou in Zhejiang Province, was temporarily a projectionist. It was the second year after the Cultural Revolution ended. There are enough money to please nanny, only the three-year-old girl alone home. The results of the film to half, Zhou master feel someone pulling his pants, he looked down and saw a big girl like a pair of stars eyes big as if looking up from him abyss. Think of his third-floor home and over 100 meters from the cinema, when his father’s tears came in such a faint starlight. Most of the days before most of her studies in school come to life, the master of the week, the girl, could be upset that this little girl often dominates the cinema’s first row of seats, Understand do not understand, always look back to look like a small face