熟悉善阳的绘画就像熟悉其本人,画幅不大,但画中却留住了平和与安静,并稍带一点“冷色”的氛围。窗外的天空是淡紫的,飘着几朵云,人物的面容也是失表情的。去年送交全国十届美展的《宋氏三姐妹》,是他作品中较大的一幅,在足有3平方米的画面中使用了比芝麻要小的刻点。这些刻点布满画面,构成了他画面的异质感。可以想象要完成这些,需要多大的工作量。事实上,他确有足够的耐心去做这些, 并且,也能做到这些。他不想将一种浮躁留在画中,更间接地留给观众。 Familiar with the good Yang painting is familiar with himself, the frame is not large, but the picture has retained calm and quiet, and a little “cool” atmosphere. The sky outside the window is purple, floating a few clouds, the figure’s face is also a loss of expression. Last year, the “Three Songs of the Songs”, which was presented to the 10th National Art Exhibition in the People’s Republic of China, was a larger piece of his work. In a full 3-square-meter screen, a smaller engraving point than that of sesame seeds was used. These carved spots covered the picture, forming the heterogeneous sense of his picture. It is conceivable how much work is required to accomplish this. In fact, he does have the patience to do this, and he can do it. He did not want to leave an impetuous painting in the picture, leaving it indirectly to the audience.