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笔者针对当下美术学院的教学状况,倡导“学院精神”与“绘画品格”的教学追求,阐释两者的概念与内涵,以及对中国画教学的重要意义。为此,笔者提出“格古求新”的具体教学措施,来解决中国画教学遇到的新难题。我们对中国画教学的探索既有广州美术学院的特性,同时也是当代中国美术院校中国画教学发展的共性,希望能借此引起同行的思考。
In view of the current situation of teaching art academies, the author advocates the teaching pursuit of “college spirit” and “painting style” to explain the conception and connotation of the two and the importance of teaching Chinese painting. To this end, the author puts forward specific teaching measures of “seeking new ideas in ancient places” to solve the new problems encountered in Chinese painting teaching. Our exploration of Chinese painting teaching combines the characteristics of the Guangzhou Academy of Fine Arts with the commonalities in the development of Chinese painting in contemporary Chinese art schools. We hope this will arouse the thinking of our counterparts.