仙乡淹留模式是世界文学中常见的母题。作为该母题的子题,《贾奉雉》和《瑞普·凡·温克尔》有着大体相似的情节:即理想之不遇、厌世、弃世,到最终的回归。然而由于两篇作品产生的外部环境大不相同,所以故事的梗概及内涵也各不相同。前者以隐逸为积极入世之道而后者则是一种消极的遁世。 Xianxiang flooded model is a common motif in world literature. As a subtopic of the motif, “Jhaofong Pheasant” and “Rip Van Winkle” share a similar plot: the idealistic situation, the world-weary, the forsaken world and the eventual return. However, as the external environment created by the two works is quite different, the outline and content of the story are also different. The former is secluded as an active access to the WTO while the latter is a passive reclusive.