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中世纪大诗人弗朗索瓦·维庸,被视为俄罗斯“白银时代”阿克梅派的“四大基石”之一,奥西普·曼德尔施塔姆在批评散文“弗朗索瓦·维庸”中对其进行了前瞻性书写。曼德尔施塔姆对维庸的发现和重塑,建立在对抒情诗人“雌雄同体”本质认识的基础之上;而对维庸明显疏离大自然态度的发现,对其造反行动的存在主义解读,则是曼德尔施塔姆新颖独到的阐发。曼德尔施塔姆还从三个角度解读维庸的艺术魅力之谜,将比喻式批评风格发挥得淋漓尽致,从思想和艺术层面全面展示了一个现代维庸的形象。由此,结合二人的生平履历,可以发现曼德尔施塔姆和维庸之间存在着明显的契合性;细致阐释两者的精神联系及差异性,可以得出曼德尔施塔姆超越维庸、自我成圣的结论。
The medieval poet Francois Villon is regarded as one of the “four cornerstones” of Russia’s “Silver Age” and “Ake Meite”. Osip Mandelstam criticized the prose Longsword Villon “in its forward-looking writing. Mandelstam’s discovery and remodeling of Villon is based on the understanding of the essence of the lyric poet ”hermaphroditism." However, the discovery of Vyke’s apparent alienation of nature and the existentialism of his rebellion Interpretation, it is Mandelstam novel unique analysis. Mandelstam also interprets the mystery of the artistic charm of Villon from three perspectives and gives full play to the metaphorical style of criticism. It comprehensively displays the image of a modern Villon from the ideological and artistic level. Thus, combined with the two biographical records, we can find Mandelstedt Tam and Villon there is a clear fit; meticulous interpretation of the spiritual connection between the two and the difference can be drawn Mandelstam beyond Voyager , The conclusion of self-sanctification.