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爱·摩·福斯特在其早期创作的幻想小说中,创造性地运用源于原始自然崇拜和古希腊神话的原型意象以表达其对生命本质的解读。其创作思想与卡尔·荣格的原型与集体无意识理论不谋而合,可以说,他是荣格原型理论的实践者。以《惊恐记》《另类王国》《始于科娄纳斯之路》为例,福斯特借助自然原型和人物原型,表现身处现代化进程中的个体心理意识,以及人与自然、人类之间的复杂关系,这些原型意象构成福斯特幻想小说的实质内容,亦是其长篇小说原型的主要源流。
In his early fantasy novels, Aime Foster creatively uses prototype images derived from primitive nature worship and ancient Greek mythology to express his interpretation of the essence of life. His creative thinking coincides with Carl Jung’s prototype and collective unconsciousness theory, arguably, he is the practitioner of Jung’s prototype theory. Taking “The Story of a Terror”, “The Kingdom of Beyonds” and “The Road Starting from Korunaus” as an example, Foster, using natural archetypes and archetypes, expresses individual psychological awareness in the process of modernization, as well as human and nature, These archetypal images constitute the essence of Forster’s fantasy novels and are also the main source of their prototypes.