“长安画派”提出的“一手伸向传统,一手伸向生活”的创新主张,已经成为不单是美术界同仁们可资借鉴的宝贵经验,而且扩大到文化艺术各领域探索发展的要旨了。可以说,“长安画派”为中国画坛开辟了一片崭新的天地,而其精神力量的影响更为长远。我们可以清楚看到,在当代山水画领域的创作面貌,诸多的画家都以作品表达热爱乡土生活的情怀,不论画的是恬静宁谧的田园景色,还是含着苦涩味道的山野气象,都会给人以亲切的审美感受,发人深省的家园怀抱情 “Chang’an School of painting ” proposed “one hand to the traditional, one hand stretched to life ” innovation has become not only the valuable experience of art colleagues can learn from, but also to explore the development of various fields of culture and the arts The essence of the. It can be said that “Chang’an School of Painting” has opened up a brand new world for the Chinese painting society, and its spiritual power has a more long-term impact. We can clearly see that in the field of contemporary landscape painting creation, many painters express their love of native life in the works, whether it is the idyllic tranquil landscape or the bitter taste of the mountainous weather, A cordial aesthetic experience, thought-provoking home embrace