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作为创作者,吕乐有两个身份,既是摄影师也是导演。他可以熟练地驾驭各种画面元素和造型手段,为中国影坛增添丰富多姿、形式各异、极致绚烂的影像;也可以还摄影机极度的自由,用平实的语言、疏离的镜头关注当下社会真实的生活。在长期的创作过程中,他以“以万变应万变”的法则,适应不同导演、不同风格要求的影片;在一部影片内部,他找到了“以不变应不变”的统一且极致的影像出口。他在摄影师与导演、技术与艺术之间寻找到了平衡、连接与突破。本文以吕乐创作的影像作为参考,结合对他的采访,阐述其影像价值观。
As a creator, Lu Lok has two identities, both as a photographer and director. He can skillfully master a variety of screen elements and modeling tools for the Chinese film to add a rich variety of forms, the ultimate gorgeous video; also can be extremely extreme freedom of the camera, with plain language, alienated the lens concerned about the current society Real life. In the long process of creation, he adapts to the rules of different directors and different styles according to the law of “changing circumstances.” Within a film, he has found “invariably” "The unity and the ultimate video export. He found a balance between the photographer and director, technology and art, connectivity and breakthrough. This article takes the images made by Lu Le as a reference and expounds the values of the images with his interviews.