与上世纪90年代中期中国纪录片的轰轰烈烈相比,新世纪的中国纪录片似乎已渐渐淡出人们的视线。而沉重感的缺失,正是中国纪录片日益边缘化的重要原因。中国纪录影像文体的泛化和软化纪录影像发展历史中形成的精神和品格是以非虚构的方式,通过对现实的深度切入,真实而理性地反映社会的当前状态及其发展趋势,讴歌社会公理、正义和人类理想,批判那些反人性、反真理的丑恶存 Compared with the vigorous Chinese documentary in the mid-1990s, the Chinese documentary in the new century seems to have faded away from people’s attention. The lack of a sense of heavyness is precisely the important reason why Chinese documentaries are increasingly marginalized. The generalization and softening of the Chinese recorded image style and the spirit and character formed in the history of the development of the recorded imagery truly and rationally reflect the current state of the society and its development trend in a non-fictional way by deeply penetrating the reality. , Justice and human ideal, to criticize the ugly existence of anti-humanity and anti-truth