从王澍作品的历程分析,其建筑体现其对历史文脉与手工艺传统的坚持。他以一种承认传统与现代之间距离的结合方式,完美地体现了传统在现代建筑中的演绎。本文通过分析其构造节点的联结方式,论证传统与现代的相对独立性,以期为现代建筑的创作提供另一纵向的思维方式。 From the analysis of Wang Shu’s works, his architecture embodies its insistence on the historical context and handicraft tradition. In a way that recognizes the distance between tradition and modernity, he perfectly embodies the tradition in modern architecture. This article analyzes the relative connection between tradition and modernity through analyzing the way of constructing nodes, in order to provide another longitudinal way of thinking for the creation of modern architecture.