戏剧要求高度集中。一切戏外的东西,都会成为枝蔓和赘疣。记得契诃夫说过:如果第一幕房间里挂了一枝枪,那么最迟到第三幕它就得放响,否则就不必出现。可见,优秀剧作家绝不允许自己作品里有丝毫多余之物,哪怕是一件道具。但若干成功的剧作中,又的确有些看来似乎是无关闳旨的“闲笔”,甚至是“闲人”;戏剧中居然能够出现“闲人”,好象不可思议,其实,这些看上去貌似“闲人”的人,正是契诃夫所指的那种挂在墙上的“枪”,到时候却是会放响的。信手拈来,试举几例。 Dramatic demands are highly concentrated. Everything outside the play, will become sticks and warts. I remember Chekhov said: If the first act of hanging a gun in the room, then the latest act no. 3 it will sound, otherwise do not have to appear. Can be seen that the best playwright will never allow their own works have the slightest surplus, even if it is a props. However, in some successful plays, it seems that some of them seem to be “idle pencils” or even “idlers” that seem to have nothing to do with their purposes. It is as though incredible that “idlers” can appear in the drama. In fact, these seemingly “ Idlers ”, it is exactly what Chekhov refers to the kind of“ gun ”hanging on the wall, when it will be reverberant. Come in handy, give a few examples.