论文部分内容阅读
新中国土地改革之后,农村经由互助组、初级社、高级社等不同的集体组织形式推进集体化和机械化。农村生产关系、土地所有制的改变以及集体的劳动实践共同造就了新的土地的风景,这些新的空间的变化亦成为新中国艺术家们再现农村视觉形象的主题。本文研究之重点即是试图通过分析摄影、绘画运用怎样的空间策略来再现新中国农村土地的视觉形象,如何再现集体土地之上的耕作主体;来阐释视觉图像如何表达新中国农村集体的观念。
After the land reform in New China, the rural areas pushed forward collectivization and mechanization through various forms of collective organizations such as mutual aid groups, junior societies and senior societies. Rural relations of production, changes in ownership of land, and collective labor practices have created new landscapes of land. Changes in these new spaces have also become the theme of the reproduction of rural visual images by new Chinese artists. This thesis focuses on how to reproduce the visual image of rural land in New China and how to reproduce the cultivated subject on the collective land by analyzing the spatial strategies used in photography and painting to explain how the visual images can express the concept of rural collective in new China.