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礼服不单是简单的质料集成,还是一种抽象的形态表现,一种符号象征,连接具体时代的社会文化、艺术表现与话语系统,它所蕴含的社会意义早已越过了其本身物质性,礼服在本质上是一种艺术表现形式,与生活密切相关,和时间、空间、人紧密联系在一起。在服装王国中,只有一个永恒的、至高无上的法则,就是视觉的舒适感。无论服装式样如何变化,如何不断重复流行,但视觉愉悦的追求是永恒的,服装的演变证明,视觉形式有其自身的独立性和吸引力。剥离商业广告的包装和情感语言的掩饰,我们就能够发现:这个法则在礼服中的存在形成更明显。
Dress is not only a simple material integration, or an abstract form of performance, a symbolic symbol, connecting the specific era of social culture, artistic expression and discourse system, which implies the social significance of its own has crossed its own material, dress in In essence, it is an art form that is closely related to life and closely linked with time, space and people. In the clothing kingdom there is only one eternal, supreme law, the visual comfort. No matter how the style of dress changes, how to repeat the popular, but the pursuit of visual pleasure is eternal, the evolution of clothing proves that the visual form has its own independence and attractiveness. Stripped of the packaging of commercials and the disguise of emotional language, we can find that the existence of this law in dress is more pronounced.