批评家们几乎都意识到了毕飞宇小说与当下生活的越来越贴近,注意到他作品中独具个性的“现实感”a。从1990年代初《孤岛》《叙事》《是谁在深夜说话》等对历史题材的寓言化处理,到随后《九层电梯》《卖胡琴的乡下人》《林红的假日》《生活在天上》等都市题材小说对城市生存的无根化、欲望的冲撞与变形等“当下”主题的关注,及至新世纪《平原》《推拿》等具有鲜明写实倾向的小说的问世,似乎都在表明毕飞 Almost all critics realize that Bi Feiyu’s fiction is getting closer and closer to contemporary life. He noticed the unique “reality” in his works. From the allegorical treatment of historical subjects such as “Isolated Island” and “Narrative” in the early 1990’s, to the subsequent “nine-storey elevator” The advent of such urban theme novels as radicalization of urban life, the collision and deformation of desire, etc., the concern of the theme of “present day”, and the novel of “plain” and “massage” in the new century, all seem to be Show Bi Fei