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这是一个充斥着话语的年代,却更是一个让人无话可说的年代。表面上看,话语圈开放而自由,不仅报纸越办越厚,电视台主持人越来越饶舌,而且文坛上更是鸟语花香,到处洋溢着幸福的笑脸,作家们的创作数量也呈现出“欣欣向荣”的爆炸趋势。然而,王小波告诉我们,在繁荣的话语圈下,似乎还有着“沉默的大多数”,他们的声音被淹没与忽视。这个判断不但适用于暴政的年代,同样适用于我们这个娱乐化的非暴政时代。幸运的是,在喧嚣而浮躁的话语圈中,还有一些作家在不动声色地写着。他们写人性的苦难与美好。写现实的沉重与轻逸,更把犀利的目光对准了那些“沉默的大多数”被阉割和控制的生存困境。艾伟便是其中之一。
This is an era full of words, but it is even more of a time when people have nothing to say. On the surface, the discourse circles are open and free. Not only the newspapers are getting thicker and thicker, the TV host more and more rap, and the literary world is full of beautiful flowers and smiling faces. The number of writers’ creations is also showing “thriving” Explosion trend. However, Wang Xiaobo tells us that there appears to be “the silent majority” under the flourishing discourse, whose voices are submerged and ignored. This judgment not only applies to the era of tyranny, the same applies to our entertaining non-tyranny era. Fortunately, there are still some writers quietly writing in the noisy and impetuous discourse. They write human misery and beauty. Writing realistic heavy and light, but also sharp eyes on those “silent most” castrated and controlled survival predicament. Ai Wei is one of them.