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大型原创音乐剧《海上·音》是上海音乐学院为纪念中国人民抗日战争暨反法西斯战争胜利70周年所创作,创作阵容出自上海音乐学院的专业团队,所有演员均由音乐戏剧系在校学生承担。在我国音乐剧市场不断规范化、产业化前景下,作为音乐剧演员,面临着如何塑造人物的复杂任务,而音乐剧作为一门独特的戏剧艺术形式,其塑造人物的步骤有与其他戏剧艺术共通之处,也有其特殊性,其一般步骤可以概括为准备阶段、塑造阶段、排演阶段三部分,演员需要结合音乐剧特点与剧本、人物的不同特征,找到有针对性的表演方式,本文以《海上·音》中男女主人公——阿瑟·乌纳和凌云为例初探音乐剧中人物塑造问题。
The large-scale original musical “Haiyin Yin” was created by Shanghai Conservatory of Music to commemorate the 70th anniversary of the victory of Chinese People’s Anti-Japanese War and Anti-Fascist War. The creative team is composed of a professional team of Shanghai Conservatory of Music, all of whom are students of the Department of Music and Drama . Under the normalization and industrialization of the musical market in our country, as a musical actor, it faces the complicated task of how to shape characters. As a unique theater art form, musical theater plays a role of sharing with other theater arts The general steps can be summarized as three stages: the preparation phase, the shaping phase and the rehearsal phase. The actor needs to find out the specific performance style based on the characteristics of the musical, the different characters of the script and characters, On the Sea · tone "hero and heroine - Arthur Unna and Lingyun as an example to explore the musical characters in the modeling.