改革开放后的三十年多来,伴随着社会主义市场经济的蓬勃发展和来自东西方文化交流的不断深入与更加广泛的影响,我国民族管弦乐事业的发展也进入了一个崭新的历史时期。明显的标志就是作曲家的创作理念、思维方式及其相应的技法和手段等向着多元化的方向探索与拓展。在此过程中,虽然也出现了许多有争议的问题和引起非议的作品,但是也产生了一批风格独特、个性鲜明、技法自由、形式新颖的民族管弦乐曲(包括协奏曲、室内乐、重奏和独奏曲等)。当年的许 Over the past thirty years since the reform and opening up, with the vigorous development of the socialist market economy and the ever-deepening and more extensive influence of cultural exchanges between the East and the West, the development of our national orchestral music industry has also entered a brand-new historical period. The obvious sign is the creative concept of composers, ways of thinking and the corresponding techniques and tools to explore and expand in a diversified direction. During this process, many controversial issues and controversial works emerged. However, a number of ethnic orchestral music (including concerto, chamber music, ensembles and ensembles) with distinctive style, distinctive personality, Solos, etc.). Xu of the year