海子深受西方文化的影响,这是一种比较文学意义上的影响,已然成为一种精神渗透进他的诗歌,但海子身上的民族血脉也是显而易见的,东西方思想的交汇、碰撞在海子早期创作的《亚洲铜》中已然呈现。本文认为这首诗在写作思路上与《荒原》相似,以西方的死亡主题切入,结合中国文化的意象,以“亚洲铜”构建起文化氛围的框架,通过死亡——重生这种带有神话、仪式特征的描写,表达对中国新诗发展的焦虑和渴望。 Haizi is deeply influenced by western culture. This is a kind of influence in the comparative literature. It has already become a kind of spiritual infiltration into his poetry. However, the national blood of Haizi is obvious. The intersection of East and West thoughts collide with the early Haizi The creation of “Asian Copper” already appeared. This paper argues that this poem is similar to “Waste Land” in the writing train of thought, cuts through the theme of death in the West, combines the image of Chinese culture, “Asia Copper” to build the framework of cultural atmosphere, There are descriptions of myths and ritual features to express anxiety and desire for the development of Chinese new poetry.