本文对T.S.艾略特《四个四重奏》中的“旋转的世界的静点”及相关超越性境界作了系统梳理,指出艾略特笔下的超越性境界与禅宗的大成境界有着诸多相通、相同之处。艾略特与禅宗在描述各自的超越性境界时,共同采用了一种盘旋游移、居中不定的话语方式;在对超越性境界的理解上,共同表现出了对本体论及二元两分思维模式的拒绝;在通达超越性境界的途径上,双方则共同强调现实生活、个人经历对于超越的不可或缺。 This paper systematically sorts out the “static point” of the “rotating world” in the “Four Quartets” of TS Eliot and the related transcendental realm. It points out that there are many similarities between the transcendental realm in Eliot’s writing and the great realm of Zen The same thing. Eliot and Zen used a coherent and discourteous way of discourse when describing their transcendental realm. In their understanding of transcendental realm, Eliot and Zen shared the common understanding of ontology and dichotomy The denial of the mode; on the way of transcendence, the two sides jointly emphasize the real life and the personal experience is indispensable for transcendence.