在当今世界电影艺术潮流日新月异变幻之时,我国对外开放政策也给人民群众带来了审美观念的突变观众越来越不满足于那些有头有尾的故事。时代焦灼期待着电影艺术观念的更新,观众饥渴地等待着新型电影的问世。的确,『如不能因时变事,而顽固恪守旧俗,这本身就是致乱之源』(培根语)。为了中华民族的电影能屹立于世界电影之林,一批年轻的第五代导演崛起在中国大地,拍出了一系列令人耳目一新的探索片。 At a time when the trend of film art in the world is changing rapidly with each passing day, the sudden change of aesthetic conceptions that our country’s opening-up policy has brought to the people is increasingly not satisfied with those with a head start. Worries of the times looking forward to the update of the concept of the art of cinema, the audience hungry waiting for the advent of new films. Indeed, “if we fail to keep up with the old custom by failing to keep up with the times, it is a source of disruption in our own right” (Bacon). In order for the Chinese film to stand in the world of film, a group of young, fifth-generation directors emerged in the land of China and took a series of refreshing explorations.