周密《齐东野语》载《姜尧章自序》,说范成大评姜夔:“以为翰墨人品,皆以宋晋之雅士。”姜夔也表示了对范成大的知遇之恩和对此评价的认同感。宋人的审美追求形成了一个现象,就是超越了隋唐的庄严凝重和磅礴大气而向往魏晋的飘逸潇散与天成自得,并常以此作为自己的审美理想或作为称许别人的赞语。常有“作字简远,如晋宋间人”、“风度凝远,如晋宋间人”的评价。按照宗白华先生的说法:“汉末魏晋六朝是中国政治上最混乱、社会上最痛苦的时代。然而却是精神史上极自由、极解放,又最富于 Well-thought-out ”Qi Dong Ye language“ contains ”Jiang Yao chapter preface,“ said Fan Cheng Jiangtao: ”The character of the Han Mo, Jie Song of the Ascot.“ ”Jiang Xuan also expressed his understanding of Fan Chengda grace and Evaluation of the identity. The aesthetic pursuit of the Song Dynasty formed a phenomenon that surpassed the dignified and majestic atmosphere of the Sui and Tang dynasties and dreamed of the graceful and natural disposition of the Wei and Jin dynasties and used it as their aesthetic ideal or as a compliment to others. Often “make a simple word, such as Jin and Song”, “demeanor, such as Jin and Song” “evaluation. According to Zong Baihua, ”The end of the Han, the Wei, Jin and the Six Dynasties was the most chaotic and socially most troublesome era in politics in China, but it was extremely free, highly liberated, and most prosperous in the history of the spirit