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女性主义在20世纪成为一场巨大的社会运动,并成为一种重要的艺术创作和艺术批评方式。用女性主义视角来观察、分析、批评我国的许多绘画作品时,可以发现:一方面,有许多作品表达了对男权话语的批判,展示了女性的被支配地位和缺乏主体性的处境,具有强烈的批判意识;另一方面,随着社会的变化和艺术自身的发展,许多表明女性立场、以女性为主体的作品出现。这些作品中的女性不仅成为形式上的中心,更成为话语体系的重要角色,女性正试图回归主体性。只有当女性话语真正崛起时,才能实现真正的话语平等。
Feminism has become a huge social movement in the 20th century and has become an important method of artistic creation and art criticism. When observing, analyzing and criticizing many paintings in our country from the perspective of feminism, we can find that on the one hand, many works express the critique of the patriarchal discourse, show the dominance of women and the lack of subjectivity, and have On the other hand, with the change of society and the development of art itself, many works that show the female stand and the female as the main body emerge. The women in these works not only become the center of form, but also play an important role in discourse system. Women are trying to return to subjectivity. True discourse equality can only be achieved when women’s discourse truly rises.