《龙泉寺汉白玉牌坊》在中国第十一届国际摄影艺术展览中荣获两项大奖:C 组金奖和最佳黑白奖。中外评委一致认为:这幅作品的作者在数码摄影时代还如此尊重传统银盐摄影技法,让人肃然起敬。在工业数字技术时代还是需要坚持摄影的原始精神,一方面是对历史表示敬意,另一方面是对人类最本原的创造性态度的肯定。在日新月异、眼花缭乱的技术发展中,保持摄影术的渊源性,就像我们提倡保持物种和文化多样性一样。评委梅生说,手刷感光乳剂印相的惟一性和纯真感是这幅作品最大的特色。他在评选现场曾用十倍放大镜看了此作对牌坊细部的表现,结果证明,“原生态摄影”在追求韵味和意境的同时,素质丝毫不让数码,仍然有其生命力。鲍昆评委将其定位为——“个性精神的回归”。在11届国际影展投送的数万件参评作品中,用这种工艺制作的作品寥寥无几。所以《龙泉寺汉白玉牌坊》以其独特的韵味在人像、时装、广告、静物、建筑等类中脱颖而出,最终获得该类金奖和最佳黑白作品奖。下面我们听听作者如何说。 “Longquan Temple white marble archway” won two prizes at the 11th International Photography Art Exhibition in China: Group C Gold Medal and Best Black and White Prize. Chinese and foreign judges agree that: The author of this work in the digital photography era so respect traditional silver salt photography techniques, people awe-inspiring. In the era of industrial digital technology, we still need to uphold the original spirit of photography. On the one hand, we are honoring history, on the other hand, affirming our most original creative attitude. Maintaining the paternity of photography in a rapidly changing and dazzling technological development is as much about promoting the preservation of species and cultural diversity. Judge Mayon said that the uniqueness and innocence of hand-brush emulsion printing is the biggest feature of this piece. His ten-point magnifying glass at the scene of the selection saw the performance of the details of the archway. The result proves that while “original photography” pursues charm and artistic conception, the quality does not allow digital and still has its vitality. Baokun judges position it as “the return of individual spirit.” Of the tens of thousands of entries submitted at the 11th International Film Festival, there are few works made using this technique. Therefore, “Longquan Temple white marble arch” with its unique charm in portraits, fashion, advertising, still life, architecture and other categories stand out, and ultimately won the gold medal and best black and white work award. Let’s hear how the author says it.