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本文试图借助中国古典“四大名著”来阐释文化原型与文学体裁的关系,从而探索在“集体无意识”下文学创作的原始动力,来理解个体创作、社会评价和文化背景的关系。
This paper attempts to explain the relationship between cultural prototypes and literary genres by means of the classical Chinese “Four Famous Writings” to explore the original motivation of literary creation under “collective unconsciousness” to understand the relationship between individual creation, social evaluation and cultural background .