“花”意象作为一种审美存在贯穿于《源氏物语》始终,无论是作为独立的审美客体,抑或是和人物、情节紧密相连的功能元素,其生成过程就是《源氏物语》完备“物哀”理念的过程。本文旨在从“物哀”的角度,结合王国维的“境界”说,反观《源氏物语》中自然意象“花”的呈现方式和艺术功能,以此看出日本古典文学的文艺观和生命观。 As a kind of aesthetic existence, the image of “Flower” runs through “Genji Monogatari” all the time, no matter it is an independent aesthetic object or a function element closely linked with people and plot. The formation process is “Complete Genji” Material sorrow “concept of the process. The purpose of this paper is to compare the presentation and artistic functions of the natural image ”flower “ in ”The Tale of Genji" with the view of Literary View of Literature and Life.