马舍雷将阿尔都塞关于“症候解读”及其生产性的理论引进了文学批评,从而提出了文学生产理论。但他所说“生产”不是在文学创作过程中进行,而是在文学阅读和批评过程中发生。这种生产并不是对作品表层意义的确认,而是对作品无意识层面的深层意义的揭示。文学批评对于具体作品中无意识暴露出来的“症候”解读,促进了知识增长和思想建构,从而具有较之通常意义上的“生产”毫不逊色的生产性。马舍雷还通过哲学界定,确认了“症候解读”乃是文学批评发挥生产性作用的重要途径。事隔多年,马舍雷关于“文学生产”的观点仍不乏一致性,而且进一步提出“文学哲学”的概念,揭晓了“症候解读”生产性功能的后现代性质。 Marseille introduced Althusser’s theory of literary criticism to the theory of “symptom reading” and his theory of production, and put forward the literary production theory. However, what he says “production” does not occur during literary creation, but during literary reading and criticism. This kind of production does not confirm the superficial meaning of the work, but reveals the deep meaning of the unconscious level of the work. Literary criticisms of the “symptoms” uncovered by unconsciousness in specific works facilitate the growth of knowledge and ideological construction, and thus have less productivity than the usual “production.” Marseille also defined by philosophy, confirmed that “interpretation of symptoms ” is an important way for literary criticism to play a productive role. After many years, Maclear’s conception of “literary production ” is still lacking in consistency. Moreover, the concept of “literary philosophy” is further proposed and the postmodern nature of the productive function of “symptomatic interpretation” is revealed.