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中华民族历史悠久,民族众多,其文化发展十分繁荣昌盛,漫长的岁月积淀了优秀的文明成果,各民族的民间舞蹈就是其中的优秀文化形式之一。目前我国在民族民间舞领域已经取得了一定的研究成果,其研究大多根据舞蹈风格和舞蹈的内容形式进行展开,对民族民间舞的研究具有一定的局限性。民族民间舞的最主要来源就是对情感的抒发,虚拟表演作为民族民间舞表演形式的一种能够充分将情感的真实性表现出来。因此,在本文中,我将以安徽花鼓灯为例进行分析研究,旨在对民族民间舞的虚拟表演中情感表现和情感真实性进行深入探讨,从而进行一定阶段的教学任务总结和心得体会。从民族民间舞虚拟表演的研究现状和意义、以安徽花鼓灯表演为例进行虚拟表演介绍、虚拟舞台表演的形式及特征、民族民间舞虚拟表演的情感真实性、民族民间舞虚拟表演的未来发展趋势进行分析研究,希望能够为中国民族民间舞的未来发展提供一定的研究贡献。
The Chinese nation has a long history and many ethnic groups. Its cultural development is very prosperous. The long years have accumulated excellent achievements in civilization. The folk dance of all ethnic groups is one of the outstanding forms of culture among them. At present, China has made some achievements in the field of folk dance. Most of its researches are based on the dance style and the contents of dance. The research on folk dance has some limitations. The most important source of folk dance is the expression of emotion. As a form of folk folk dance performance, virtual show can show the authenticity of emotion fully. Therefore, in this paper, I will take Anhui Huagudeng as an example to conduct an analysis and study, in order to conduct an in-depth discussion on the emotional performance and emotional authenticity of the folk dance in the virtual performance so as to carry out a certain phase of the teaching task summary and experience. The present situation and significance of the research on the virtual performances of ethnic folk dance are introduced. Taking Huagudeng in Anhui as an example, the introduction of virtual performances, the forms and characteristics of virtual stage performances, the emotional authenticity of virtual performances of folk dance, the future development of folk dance performances Trend analysis and analysis, hoping to provide some research contribution for the future development of Chinese folk dance.