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1994年,大学毕业、不愿意接受社会福利的盲人周云蓬开始了自己的流浪歌手生涯。这个节点性的时间,正是中国城市民谣兴起的时候。从中国当代音乐谱系来看,城市民谣的兴起是摇滚乐剩余力量流散的结果。曾经在上世纪80年代兴起到上世纪90年代初期极盛而衰的中国摇滚,本来是在文化匮乏中渴求信仰与思想,进而以西方摇滚形式在既有的意识形态和价值系统中撕裂而出。然而,一方面,90年代本土政治与经济发生转型,进入所谓后革命时期,让摇滚的
In 1994, Zhou Yun Peng graduated from college, reluctant to accept social welfare blind began his own career as a vagabond. This nodal time is just the time for the rise of ballads in China’s cities. From the perspective of Chinese contemporary music pedigree, the rise of urban folk is the result of the dispersion of the remaining power of rock music. Chinese rock, once flourished in the 1980s and thriving in the early 1990s, was originally craving for faith and ideas in cultural deprivation and then tearing it apart from the existing ideology and value system in the form of Western rock. Out However, on the one hand, the transformation of local politics and economy in the 1990’s entered the so-called post-revolutionary period and allowed the rock