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中国拥有大面积的草原,以及生活在那里的多民族人民。草原地区特殊的生活方式与生产方式,造就了不同于中原农耕民族的文化。然而,若从绘画艺术的角度看草原文化,花鸟画在历史上很少染指草原题材,零星出现过的作品也只是作为人物画的背景或环境部分出现的。文章以一些作品作为支撑,力图通过草原文化的特点、草原文化的精神内涵以及草原上丰富的花鸟画题材等方面,综合论述“草原花鸟画”创作的可行性。
China has a vast area of grasslands and multi-ethnic peoples living there. The special lifestyle and mode of production in the grassland region have created a culture different from the farming peoples of the Central Plains. However, if the culture of grassland is viewed from the perspective of the art of painting, the flower and bird paintings seldom refer to the theme of the grasslands in history, and the sporadic works only appear as part of the background or environment of portraits. With some works as the support, this article attempts to discuss the feasibility of the creation of “prairie flower and bird painting” through the features of prairie culture, the spiritual connotation of prairie culture and the abundant bird and flower painting theme on prairie.