齐格蒙特·鲍曼的离世引发了众多的讣告和回应,一些充满敬意,一些充满困惑,另一些则充满嫉妒。社会学界似乎要在两类人之间划清界限:一类是希望通过宣传鲍曼来使自己出名或受到社交媒体关注的人,一类是将鲍曼推到一边的那些知名人士、记者甚至江湖骗子。通过评估鲍曼的思想遗产,可以解释这种困惑。事实上,鲍曼的作品有一种逻辑或模式,他根据流动的现代性的总体理论,有针对性地对爱、个体化、工作和难民等时代性表征加以分析。 The death of Sigmund Bowman triggered numerous obituaries and responses, some with respect, some full of confusion, others full of jealousy. Sociology seems to draw a line between two types of people: those who wish to make themselves famous or socially focused through the promotion of Bowman, and those who have pushed Bowman aside and even Rivers and lacks. By assessing Bowman’s intellectual heritage, this confusion can be explained. In fact, Bauman’s work has a logic or mode that analyzes, in a targeted manner, epochal characterization of love, individuality, work, and refugees, based on the general theory of fluid mobility.