自称“闽清二都乡下人”的黄文渊,是从闽山脚下成长起来的中年画家,现任福建三明书画院院长。多年来,他勤奋执着地从事绘画创作,深入闽山之中,醉心于山水画的探索和实践。 黄文渊酷爱山水画大师黄宾虹的山水艺术,经常揣摩学习,结合家乡山川风物的郁茂特色,逐渐摸索着自己的表现语言,可举《闽山叠翠》为其代表作。这件作品,山岚厚重,云烟飘渺,墨韵苍润,较好地表现了闽山的独特风貌。 山水画滥觞于南北朝而兴盛于五代两宋,千百年来,积累了丰厚的审美意蕴与风格样式。古代中国绘画以山水艺术为最成熟完备,这与先秦道家哲学 Huang Wenyuan, who claims to be “a native of Minqing Erdu County”, is a middle-aged painter who grew up at the foot of Mount Min. He is currently the dean of the Sanming Painting and Calligraphy Institute in Fujian. Over the years, he was hardworking painstakingly engaged in painting, deep into the mountains, immersed in the exploration and practice of landscape painting. Huang Wenyuan loves landscape master Huang Binhong’s landscape art, often try to figure out learning, combined with the hometown features of mountains and rivers Yu Mau features, gradually groping his own performance language, cite “Min Mountain Pinnacle” as its representative. This piece of work, Shan Lan heavy, misty clouds, ink Yun Cang Run, a better performance of the distinctive Min Mountain style. Landscape painting originated in the Northern and Southern Dynasties and flourished in the Five Dynasties and the Song Dynasty, thousands of years, has accumulated rich aesthetic connotation and style. Ancient Chinese painting landscape art as the most mature and complete, and the pre-Qin Taoist philosophy