关于《宵禁》文/布兰科·米利斯卡维克译/费婷我的艺术实践包含三个重要元素:身体、时间和观众。《宵禁》(Curfew)中的观众扮演了舞台上的主要角色。如果没有观众,而又要在时空中传达这件作品的整个观念,对我个人来说,将是难以想象的。这是我最困难的一次行为表演,我曾想过放弃因为它极富不可预测性和短暂性。这件作品依赖于许多因素,譬如观众的数量、场地的性质、目前的社会政治状态、天气条件等。在《宵禁》中我运用了我的“军人身体”。我的艺术实践通常会有三类身体:政治身体、军人身体、社会身体,并且通 About the Curfew / Blanco Millskiewicz / Feiting My artistic practice consists of three important elements: body, time, and audience. The audience in “Curfew” plays a major role on the stage. Without the audience, but also to convey the whole concept of this work in space and time, for me personally, it will be unimaginable. This is my most difficult performance, I have thought of giving up because it is extremely unpredictable and transient. This work depends on many factors, such as the number of viewers, the nature of the venue, the current state of the society, the weather conditions and so on. In Curfew I used my Military Body. My artistic practice usually has three types of body: political body, military body, social body, and pass