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在中国北方地区,竹笛多用于梆子戏、二人台等地方乐种的伴奏,演奏技术方面重视舌头的运用,音色较硬,有穿透力。曲祥在60年代就已成为家喻户晓的笛子名家,被誉为北派笛子风格的代表人物之一、山东笛派的创始人。他所创作的一批经典作品在国内外重大比赛及各大演出中至今仍广为沿用,时至今日,其作品中的技巧性和音乐性仍有很大的研究意义。本文以曲祥的竹笛艺术风格及山东笛乐流派作为研究对象,全面阐释曲祥笛乐艺术风格以及山东笛派对竹笛艺术发展的重要影响。
In the northern part of China, bamboo flute is mostly used for the accompaniment of folk music such as prickly heat, duo and other local musicians. Its playing technique emphasizes the use of the tongue. The sound is hard and penetrating. Qu Xiang in the 1960s has become a well-known flute famous, known as the northern school flute style representative, one of the founder of Shandong flute. He has created a number of classic works in major domestic and foreign major games and performances are still widely used until now, the work of his skill and musicality is still of great research significance. This article takes Qu Xiang’s bamboo flute art style and Shandong flute music school as the research object, and comprehensively expounds the artistic style of Qu Xiang Di and the important influence of Shandong flutes on the development of bamboo flute art.