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羌族的多声部民歌历史悠久,在当代因其独特的音乐形态和特殊的演唱发声法引起大众的关注和讨论,它产生流传的历史进程以及在传统传播方式受到外部因素介入和影响以后发生的传播嬗变,都是值得研究和思考的问题。本文将结合羌族多声部民歌主要流传地的人文自然环境背景,从20世纪80年代的初步发掘期、2004年开始的电视媒介传播期以及2008年汶川地震以后的文化重建期三个阶段入手,探讨羌族多声部民歌传播进程中的典型案例、分析其影响及存在的问题并提出相关的思考。
The multi-vocal folk song of the Qiang ethnic group has a long history. Due to its unique musical form and special singing vocal method, the contemporary folk song has caused the public’s attention and discussion. It has a historical process of spreading and occurs after the traditional mode of communication is interfered and influenced by external factors Transmutation, are worth studying and thinking of the issue. This article will combine the humanistic natural environment background of the Qiang multi-part folk songs mainly circulated from three stages of the initial excavation in the 1980s, the television media broadcast in 2004 and the cultural reconstruction after the Wenchuan earthquake in 2008, Discusses the typical case of the propagation of folk song in the multi-vocal part of Qiang ethnic minority, analyzes its influence and existing problems, and puts forward some relevant considerations.