论文部分内容阅读
为了达到文治武功的目的,乾隆皇帝扮演佛装喇嘛,笼络少数民族。所在乾隆皇帝的肖像画中,有一个特别显著的特点,出现了皇帝扮演为佛装喇嘛的唐卡画像。这种结合了宗教性和世俗性的肖像画新形式,是清朝为控制和加强同边疆少数民族之间关系的政治衍生品,显示皇权所具有的神圣性与亲和力。本文运用图像学和考据学的理论方法,对乾隆皇帝佛装画像进行归纳分析,以揭示在清代统治下汉藏式皇帝佛装画像的发展特点与意义。
In order to achieve the purpose of Wenzhi martial arts, Emperor Qianlong played the Buddha Lama, win over the ethnic minorities. One of the most notable features of the portrait of the Emperor Qianlong there is the Thangka portrayal of the emperor playing the Buddhist lama. This new form of portrayal that combines religious and secularity is a political derivative of the Qing dynasty that controls and strengthens the relations with ethnic minorities in the frontier areas and shows the sanctity and affinity that imperial power possesses. In this paper, using the methods of imageology and textual criticism, this essay will make an analysis of the portrait of the Buddha in the Qianlong emperor’s costume to reveal the characteristics and significance of the development of the Buddha’s costume in the Qing Dynasty.