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本文着重探讨了《文心雕龙》对写作主体与客体、内容与形式辩证关系的认识。对刘勰既强调客体激发创作激情和作为写作材料等重要作用，又重视主体的主导地位和对客体的能动改造，通过“情以物迁”、“物以情现”的双向矛盾运动可达到物我交融的境界；对刘勰既重视内容的决定作用和核心地位，又不忽视形式对内容的反作用，要求达到“志足而言文，情信而辞巧”即内容与形式的完美统一等问题进行了探究。
This article focuses on the understanding of the dialectical relationship between “Wen Xin Diao Long” and the subject, object, content and form. It not only emphasizes the important role of the object in stimulating the creation of passion and writing materials, but also emphasizes the dominance of the subject and the active transformation of the object. Through two-way contradictions such as The movement can reach the realm of blending with one another; while Liu Xie values the decisive role and core position of the content, he does not neglect the reaction of the form to the content and requires that the content and The form of perfect unity and other issues were explored.